轉載:3 Folk Rock Songs From 1968 That Never Get Old - American Songwriter https://share.google/oxsK2SY65C3BpKkON
There was a folk revival in the 1960s, with a few artists
changing the course and direction of rock music. This list highlights three
songs from 1968 that haven’t gotten old. The first two are well known. But the
final entry was no less influential as rock musicians pushed boundaries while
also looking to the past for inspiration.
“Mrs. Robinson” by Simon & Garfunkel
https://youtu.be/nkXyreJV604?si=5MqcZ3aEfSMXr1o0
The duo had submitted two songs for the 1967 film, The
Graduate, but director Mike Nichols rejected them both. Paul Simon, working on
music for a chase sequence, then sang a hook called “Mrs. Roosevelt”, which
became “Mrs. Robinson” to match the film’s character. The Lemonheads covered
“Mrs. Robinson” for the 25th anniversary of The
Graduate. It helped launch Evan Dando’s band into the mainstream. Proving
how Simon’s tune appeals to multiple generations.
God bless you, please, Mrs. Robinson
Heaven holds a place for those who pray
Hey, hey, hey
Hey, hey, hey.
“I Shall Be Released” by The Band
https://youtu.be/MjtPBjEz-BA?si=XX4d5nJYlk9lCUUL
Bob Dylan’s folk and gospel hymn closes The Band’s Music
From Big Pink. It reflects Dylan’s pastoral escape, jamming in upstate New
York, which led to a collection of bootleg recordings influencing everyone from
George Harrison to Eric Clapton. The Band’s masterpiece debut continues the
vibe of those basement tapes. It’s since become the North Star from which most
roots rock and Americana artists follow.
Now, yonder stands a man in this lonely crowd
A man who swears he’s not to blame
All day long, I hear him shouting so loud
Just crying out that he was framed.
“Decameron” by Fairport Convention
https://youtu.be/0kT84AW8oYs?si=cCDJ3wENhNV_Tkyt
Fairport Convention doesn’t have the name recognition of Simon & Garfunkel, Bob Dylan, or The Byrds. But the group was crucial to the British folk revival of the late 60s. Inspired by American roots music, Fairport Convention eventually mined traditional British songs and helped launch the career of iconic guitarist Richard Thompson. Bassist Ashley Hutchings then left to form another consequential folk group, Steeleye Span, in 1969. This track wouldn’t sound out of place on a Sufjan Stevens album. 費爾波特樂隊並沒有西蒙與蓋芬克爾、鮑勃·迪倫或拜爾茲這樣的名氣。但該樂隊對60年代末的英國民俗復興至關重要。受美國根源音樂的啟發,費爾波特樂隊最終開始挖掘傳統的英國歌曲,並幫助推動了具有標誌性吉他手理查德·湯普森的職業生涯。貝斯手阿什利·哈欽斯隨後於1969年離開,組建了另一支具有重要影響力的民俗樂隊Steeleye Span。這首曲目在蘇夫揚·史蒂文斯的專輯中聽起來也不突兀。
They listened to his voice grow pale
No stamps were on the morning mail
They all listened to the white truck ring
Words just didn’t mean a thing.
No comments:
Post a Comment